{"id":1944,"date":"2020-03-19T12:50:22","date_gmt":"2020-03-19T10:50:22","guid":{"rendered":"https:\/\/webpages.tuni.fi\/gamification\/?p=1944"},"modified":"2020-03-19T12:50:22","modified_gmt":"2020-03-19T10:50:22","slug":"cfp-gamification-54th-annual-hawaii-international-conference-on-system-sciences-hicss-2021-streaming","status":"publish","type":"post","link":"https:\/\/webpages.tuni.fi\/gamification\/2020\/03\/19\/cfp-gamification-54th-annual-hawaii-international-conference-on-system-sciences-hicss-2021-streaming\/","title":{"rendered":"CFP: Streaming Media in Entertainment @ 54th Annual Hawaii International Conference on System Sciences (HICSS 2021)"},"content":{"rendered":"

\"\"<\/p>\n

Part of the \u201cDigital and Social Media\u201d \u2013 track<\/em><\/p>\n

54th<\/sup> annual Hawaii International Conference on System Sciences HICSS
\n<\/em>January 5-8, 2021 | Grand Hyatt, Kauai<\/p>\n

Important dates:<\/h2>\n

July 15:<\/strong>
\nPapers due
\nAugust 23:<\/strong>
\nNotification to authors
\nSeptember 4:<\/strong>
\nRevision due for papers accepted with mandatory changes
\nSeptember 11:<\/strong>
\nNotifications to authors of revised papers
\nSeptember 22:<\/strong>
\nFinal manuscripts due
\nOctober 1:
\n<\/strong>Registration deadline
\nJanuary 4:<\/strong>
\nPublications of full conference proceedings
\nJanuary 5-8:<\/strong>
\nConference
\nFebruary 15, 2021 (date subject to change)
\n<\/strong>(Optional) Submission deadline for extended versions of selected papers to
\nInternet Research (IF 4.1) <\/strong>or
\nAIS Transactions on Human-Computer Interaction<\/strong><\/p>\n

 <\/p>\n

\"\"<\/p>\n

Although nowadays live and on-demand streaming is an important aspect of digital and social media, it is still not well studied by system sciences and HCI research. We possess only limited knowledge on this research area. What demographic characteristics do users of streaming services exhibit? What is their information behavior? Are there any violations of law? What are the motivations of the streamers, the participants and the consumers? What are the gratifications sought, and what are gratifications obtained? Do gender-, age- or culture-specific differences in motives, gratifications, and streamed contents exist? How do (wannabe) influencers and micro-celebrities make use of live and on-demand (e.g. YouTuber) streaming?<\/p>\n

In this minitrack, we are looking for theoretical or empirical papers investigating on-demand streaming services concerning video streaming (e.g., Netflix, Hulu, Disney Plus, Amazon Prime), music streaming (e.g., Apple Music, Spotify, SoundCloud), and education (e.g., in academia Camtasia, Lecture2Go as well as general e.g., Udemy, or Udacity). Furthermore, we welcome research fostering our understanding on the production and usage of and user participation on general social live streaming services (e.g., Periscope, Ustream or YouNow), embedded systems in other services (e.g., Instagram Live, niconico or Facebook Live) and e-sports streaming services (e.g., Twitch). We anticipate submissions including (but not limited to) the following topics:<\/p>\n